Second day in Paris Tower and Louvre July 28 2014

Eiffel Tower


The Eiffel Tower (/ˈaɪfəl ˈtaʊər/ EYE-fəl TOWR; French: tour Eiffel [tuʁ‿ɛfɛl]  listen) is an iron lattice tower located on the Champ de Mars in Paris, France. It was named after the engineer Alexandre Gustave Eiffel, whose company designed and built the tower. Erected in 1889 as the entrance arch to the 1889 World's Fair, it was initially criticized by some of France's leading artists and intellectuals for its design, but has become both a global cultural icon of France and one of the most recognisable structures in the world.^[1] The tower is the tallest structure in Paris and the most-visited paid monument in the world; 6.98 million people ascended it in 2011.^[2] The tower received its 250 millionth visitor in 2010.^[2]
The tower is 324 metres (1,063 ft) tall,^[2] about the same height as an 81-storey building. Its base is square, 125 metres (410 ft) on a side. During its construction, the Eiffel Tower surpassed the Washington Monument to assume the title of the tallest man-made structure in the world, a title it held for 41 years, until the Chrysler Building in New York City was built in 1930. Because of the addition of the aerial atop the Eiffel Tower in 1957, it is now taller than the Chrysler Building by 5.2 metres (17 ft). Not including broadcast aerials, it is the second-tallest structure in France, after the Millau Viaduct

The Louvre Museum is one of the largest and most important museums in the world. It is housed in the expansive Louvre Palace, situated in the 1st arrondissement, at the heart of Paris.

The collection of the Louvre Museum was first established in the sixteenth century as the private collection of King Francis I. One of the works of art he purchased was the now famous Mona Lisa painting. The collection grew steadily thanks to donations and purchases by the kings. In 1793, during the French Revolution, the Louvre became a national art museum and the private royal collection opened to the public.

The museum has a collection of over one million works of art, of which about 35,000 are on display, spread out over three wings of the former palace. The museum has a diverse collection ranging from the Antiquity up to the mid-nineteenth century.

 The Mona Lisa

·         Lisa del Giocondo (Italian pronunciation: [ˈliza del dʒoˈkondo]; née Gherardini [ɡerarˈdini]; 15 June 1479 – 15 July 1542 or ca. 1551), also known as Lisa Gherardini, Lisa di Antonio Maria (or Antonmaria) Gherardini and Mona Lisa, was a member of the Gherardini family of Florence and Tuscany in Italy. Her name was given to Mona Lisa, her portrait commissioned by her husband and painted by Leonardo da Vinci during the Italian Renaissance.

·         Little is known about Lisa's life. Born in Florence and married in her teens to a cloth and silk merchant who later became a local official, she was mother to five children and led what is thought to have been a comfortable and ordinary middle-class life. Lisa outlived her husband, who was considerably her senior.

·         Centuries after Lisa's death, Mona Lisa became the world's most famous painting^[1] and took on a life separate from Lisa, the woman. Speculation by scholars and hobbyists made the work of art a globally recognized icon and an object of commercialization. In 2005, Lisa was definitively identified as the model for the Mona Lisa.^[2]

Venus de Milo

The Venus de Milo was discovered in 1820 on the island of Melos (Milo in modern Greek) in the south-western Cyclades. The Marquis de Rivière presented it to Louis XVIII, who donated it to the Louvre the following year. The statue won instant and lasting fame. Essentially two blocks of marble, it is comprised of several parts which were sculpted separately (bust, legs, left arm and foot) then fixed with vertical pegs, a technique which was fairly common in the Greek world (especially in the Cyclades, where this work was produced around 100 BC). The goddess originally wore metal jewelry — bracelet, earrings, and headband — of which only the fixation holes remain. The marble may have been embellished with (now faded) polychromy. The arms were never found.

A mysterious goddess with neither name nor attributes

The goddess is shrouded in mystery, her attitude a persistent enigma. The missing pieces of marble and absence of attributes made the restoration and identification of the statue difficult. A whole range of positions have been suggested: leaning against a pillar, resting her elbow on Ares' shoulder, or holding a variety of attributes. According to whether she held a bow or an amphora, she was Artemis or a Danaid. She is popularly thought to represent Aphrodite, because of her half-nakedness and her sensual, feminine curves. She may have held an apple — an allusion to the Judgement of Paris — a crown, a shield, or a mirror in which she admired her reflection. However she might also be the sea goddess Amphitrite, who was venerated on the island of Milo.

A Hellenistic creation: a blend of classical tradition and innovation

The statue has sometimes been thought to be a replica, freely inspired by an original from the late 4th century BC, because of its resemblance to the Aphrodite of Capua (Museo Archeologico Nazionale, Naples) — a similar style Roman work, copy of a Greek original. The Venus de Milo certainly revives the classical tradition, but would appear to be a classicizing re-creation dating from the late 2nd century BC. The goddess's air of aloofness, the harmony of her face and her impassivity are stamped with the aesthetics of the 5th century BC; the hairstyle and delicate modeling of the flesh evoke the works of 4th-century sculptor Praxiteles. However, the sculpture reflects innovations that appeared during the Hellenistic period, between the 3rd and 1st centuries BC. The spiral composition, the positioning of the figure in three-dimensional space, and the small-breasted, elongated body are characteristic of this period. The goddess is arrested in time, holding her legs together as the drapery slides over her hips. Her nudity contrasts with the effects of light and shade of the finely-detailed drapery

Things go better with Coke after a tough day of sight seeing